
PAPILIO
Tobias Trübenbacher
PAPILIO is an innovative wind-powered streetlight that reduces light pollution and enhances the aesthetic appeal of its surroundings. It features an insect-friendly light spectrum and a colourful built-in rotor that generates clean energy regardless of wind direction, stored in rechargeable batteries for autonomous operation without the need for underground power connections.
Light pollution occurs when artificial light at night significantly alters natural darkness, affecting over 80% of the global population. This overexposure disrupts wildlife, plant growth, and human health by interfering with natural rhythms and cycles. PAPILIO addresses these challenges by combining sustainable energy with eco-friendly lighting, helping to protect ecosystems and communities.
In this interview with Tobias Trübenbacher, designer of PAPILIO, we discuss why wind power can outperform solar in some regions, how blending technology with aesthetics can improve urban spaces, and how policymakers must rethink public lighting for a sustainable future.


Tell us a bit about where you’re from and how that’s influenced the way you think about design.
I grew up in the Alps in the very south of Germany, really surrounded by beautiful nature and high mountains, in a small town. I spent a lot of time outdoors, actually, because my father is a forester. We did a lot of hiking and ski touring. So I think, when I was small, I always wanted to work with nature, with the forest, and with the environment.
That interest evolved over time—from working with nature to thinking about how the way we build and live affect it. If we really want to change the system, it's important to work at a larger scale and across disciplines. That’s why I decided to get a master’s degree in architecture, since it’s the largest scale of design, especially when it comes to city planning. But I still want to bring my product design perspective. Few people have studied both, and I think that’s a strength: to move between those two scales.
PAPILIO, a wind-powered streetlight that combats light pollution while enhancing the beauty of urban spaces, is a good example. The design process began by zooming out to consider the entire public lighting system, then zoomed in to develop the specific product, its systems, and technologies.
What first got you interested in light pollution?
My interest in light pollution—the excessive or misdirected use of artificial light at night—started during my university years, when I was exploring how we can live more sustainably in a rapidly changing society. I focused on new materials, technologies, and production methods as a way to rethink how we design for the future.
For example, I developed a power generator that provides electricity and light in a sustainable, self-sufficient way, whether for outdoor activities, remote regions, or in the aftermath of natural disasters and power outages.
As I worked more in the field of light design, the issue of light pollution kept coming up. I always felt like there wasn’t a real solution to this problem. And even today, it’s something many people still aren’t fully aware of. So, I began reading and researching the topic in depth, speaking with scientists from various universities and institutes.
How did that interest evolve into designing a streetlight as a solution?
I found there was a huge impact on plants and animals, with insects being the most affected. It’s estimated that on a single summer night in Germany, around 1.2 billion insects die because of streetlights.
Humans are also affected—our hormones change because it’s never truly dark anymore, especially in cities. Melatonin, which helps us feel calm and sleepy, is disrupted by light pollution, and this imbalance has been linked to various health issues, including heart disease.
The Bortle Scale, which runs from 1 to 9 and classifies the brightness of the night sky, shows how rare natural darkness has become. The lowest level, 1, barely exists anywhere on the planet anymore. About 80% of people now live in areas rated 5 or higher.
That’s when I started developing a streetlight aimed at reducing light pollution for my graduation project. The renewable energy component came into the picture much later.
You can place it anywhere, and it generates all the energy it needs.
You mentioned that PAPILIO being powered by renewable energy came up later. How did you make that switch?
While researching light pollution, I also came across another major issue related to public lighting: energy usage.
In Germany, for example, about 2% of primary electricity is used just for powering public lighting. That translates to roughly 2.5 million tons of CO₂ emissions every year from streetlights alone. Seeing that number made me realise how impactful it could be to change how streetlights are powered.
Some places already use solar-powered streetlights. But in northern regions near the sea—like Scandinavia, northern Germany, or the Netherlands—it’s a different story. In winter, the nights are very long, and sunlight is limited. However, these areas tend to be much windier.
That led me to the idea of incorporating wind power as an alternative to solar—something better suited for darker, windier regions. And since every streetlight already has a tall pole, the infrastructure for installing small-scale wind turbines is already in place.
Your wind-powered streetlight helps protect biodiversity using wind energy. What do you see as its most important innovations?
First, the light spectrum contains little to no blue light, making it less attractive to insects and other animals. Second, the demand-dependent lighting control uses infrared sensors to switch the light off when no one is nearby. While some solutions for these issues already exist, I combined them into one product.
A key advantage is that it works completely autonomously, independent of the public power grid. You can place it anywhere, and it generates all the energy it needs. It has a vertical-axis wind turbine that spins regardless of wind direction, generating energy stored in a battery integrated into the lower part of the pole. That battery can power the light for up to three days without wind. At night, it powers a warm-spectrum LED, which is less harmful.
The lighting control adapts to the environment’s brightness—turning on earlier when it’s cloudy, later when it’s sunny—and dims after 1 or 2 a.m. when fewer people are around, to minimize unnecessary use.


In what ways do PAPILIO’s aesthetics support its technical innovation?
Aesthetics play a major role in this project. It started as my university graduation project—really small. But the day after it was published, there was a lot of interest. Even city planning offices contacted me. I think the main reason is that the product tells a story.
You see this object spinning in an urban environment. Unlike solar streetlights, which are mostly invisible, here the regenerative energy aspect is visible, it becomes part of the urban landscape. We also chose a specific teal green color for the wind turbine to highlight it, not hide it.
It also improves the environment—a colourful little wind turbine turning all day, not just at night. That’s what inspires people. You can install it in cities to show they’re working toward sustainability. It becomes a communication tool.
That’s why aesthetics are so important here. If we want to reshape our environment for a more sustainable future, it has to be beautiful too. Change is often met with resistance, and aesthetics help people feel inspired and want to join the vision.
Can we see PAPILIO’s colourful wind turbines on city streets?
Right now, we’re working on a large pilot project in Esbjerg, Denmark. For this, we redesigned the turbines to highlight them even more. They’ll be translucent design objects that cast colourful, spinning shadows when sunlight passes through. We want them to stand out as a vibrant feature in the urban environment.
We’re collaborating with a young and motivated team of city planners focused on transforming a district in the south of the city. They reached out because our project fits perfectly with their vision.
Esbjerg is undergoing a major transformation. Once focused on coal and gas, it’s now almost entirely powered by wind energy. It’s also the starting point for offshore wind in Europe. Its harbor is a central hub for the industry, and the city proudly calls itself an “energy city.” It’s windy year-round, which makes it an ideal location for PAPILIO.
Our turbines will become the centrepiece of an evolving district, which includes the University of Esbjerg, social housing, international residents, and single-family homes from Danish neighborhoods. We’re designing a new city centre to connect these communities—a shared space where everyone can gather. The wind turbines will be at the heart of that square.
What materials are used for PAPILIO’s translucent wind turbines and streetlight components in the Esbjerg pilot?
The wind turbines will be produced by an innovative company from Canada called Alula. They use 100% recycled textile material—commonly found in sails, outdoor tents, backpacks, and similar products. The material is UV-resistant, long-lasting, strong, and sustainable.
It’s also translucent, which allows us to print different colors on the turbines using a special technique developed in collaboration with Alula. This way, the rotors become graphic, colourful design objects.The fabric is super lightweight—much lighter than metal—which plays a huge role in improving the turbine’s efficiency.
As for the other components, we work with Ewo, based in Bolzano, Italy, for the lighting and demand-dependent lighting control. We also collaborate with Icewind from Iceland, a startup focused on small-scale wind turbines. They handle all the durability testing in Iceland’s strong winds and harsh climate—perfect conditions to ensure reliability.
Transforming our cities into climate-neutral and less harmful places is essential.
Beyond materials, who you work with is just as important. Are city planners or municipalities your key clients or collaborators?
Yes. This field is a bit different from other design areas because it depends on cities. We’re talking about public spaces, after all. It’s not like private individuals pick out a streetlight and install it themselves. It’s always cities, communes or planning offices working on behalf of the city or state. So, our main target group is policy decision-makers and city governments.
Most people working in this field already understand the importance of implementing new solutions. Money isn’t always the problem. There are often substantial funding pots available for city planning. What we need is to inform people about what’s possible and educate them on the harm caused by current systems.
It’d be great to connect with as many people as possible who are involved in urban planning and city infrastructure and who want to help rethink how we light our cities.
Since people in urban planning and city infrastructure are PAPILIO’s main target group, how do you see the business model evolving?
We did some calculations. The biggest advantage is that you don’t need underground electricity infrastructure. So, if you’re installing lights in places without an underground power grid—like natural environments or remote streets—it might already be cheaper, or at least cost the same, as traditional streetlights.
Small-scale wind power is still a relatively new field—especially compared to solar, where prices have dropped dramatically in recent years. Right now, we’re working with very small quantities, which makes everything more expensive. But we hope this becomes a serial product, and then the price can drop significantly.
So yes, it’s currently a bit more expensive than a regular streetlight. But I think if cities are serious about sustainable transformation, it’s worth paying a bit more to get all these positive benefits at the same time.

What message would you like to leave our readers with?
We urgently need to tackle light pollution and the loss of biodiversity that comes with it. To do this, cities must generate energy themselves through locally embedded, decentralised systems and products that both consume and produce energy, widely spread across urban spaces.
PAPILIO is one such example: it not only uses energy but also generates it from a renewable source with growing potential — wind. After all, the higher we build our cities, the windier they become. Transforming our cities into climate-neutral and less harmful places is essential if we want to preserve a future truly worth living in.
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